When does a violin or similar instrument become “intermediate?” Well, after “entry level” you have to call the next level something. An “intermediate” instrument is better looking, but more importantly, it’s better sounding. The makers can pay attention to more workmanship details, they can use better looking wood, and they can spend more time on the inside construction of the instrument. Because they are still semi-mass-produced, I can offer many of these amazingly high-quality instruments for under $1000.00.
The above discussion is continued after the instrument description.
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My principal supplier of strings and other various instrument accessories, Connolly and Co., has decided to delve into the instrument world. They couldn’t have chosen a better line of instruments than those from Revelle. The four violins in the line are made in China and set up in their US workshop. They receive a final setup here at Hosmer Violins, usually getting a new bridge, fingerboard planing, and neck refinishing. All the violins are coated with oil varnish. The principal difference in the quality levels is the wood and the refinement of the sound. The top instrument is tastefully antiqued and compares very favorably with other instruments in its price range. Pictured to the right are the lowest model 500 and the top model 700.
In my quest to find good sounding violins just a notch above an entry level price, I sometimes get very lucky. A rep from one of my suppliers brought these instruments one day last year. They were set up with usual factory strings, lousy bridge, etc. I played one and was not impressed. “Wait,” said the rep; “I’ve got one in the car that was set up by a luthier.” The difference was night and day. These instruments have turned out to be among the best sounding $600 violins in the shop. That experience just goes to show how important it is to seek your instruments from a real violin shop, not general music stores and the internet. The Hua Yin violins feature moderately flamed maple and a very thin shaded varnish, but it’s the sound that will really impress you. Violins
HYV VIOLIN CO. $600.00 (Currently out of stock–hoping to find more)
These are beautifully made and finished instruments with sound that far outclasses their modest price. Attention to detail and a tasteful choice of wood are the hallmarks of this small shop from Beijing. Unfortunately, with the next shipment the price is scheduled to go up. Violins
Guangzhou Cremona Violin Co. has been around since 1989. The Cannzona line is the next step above entry level for them. Very nicely figured maple coupled with tastefully shaded varnish. It’s the sound that makes these instruments really stand out–especially the violas and cellos. Pictured is the viola–notice that it is proportionally wider than a violin. That’s the way most serious violas are made, but almost nobody makes student violas that way. I’m glad GCV does. Violins, violas, and cellos.
Mr. Ji supervises the workshops of Eastman Strings. Instruments from this shop are of very high quality, and are usually sold with another trade name. Many different models of viola (Stradivari and “Tertis”) and cello (Strad and Montagnana) are available as well as Stradivari and Guarneri model violins. After our meticulous setup and adjustment, I prefer to put the maker’s name in the instrument along with our own. Violins, violas, and cellos
These instruments are made, some models anyway, in conjunction with Xuechang Sun. The violin pictured at the right is the $800 instrument. It features very solid workmanship, nice simple wood, and a tastefully shaded thin varnish. This violin, and the more expensive models above it, and great sounding instruments for their respective prices. Violins, violas, and cellos
These instruments begin at a notch above my entry level—and they’re a few notches above most other dealers. You will not find a cleaner made instrument for under $1000 from any other workshop—in fact, all of the makers on this page should learn how to shape necks from Mr. Sun. They make all grades of instruments (up to $10,000 cellos), but there are no shortcuts in the manufacture of even the least expensive. The dark varnish is thin but transparent so you can appreciate the often highly flamed wood underneath. His next level instruments are the same bodies with hand applied oil varnish. Violins from 1/16 to 4/4, violas and cellos
This workshop, in Mudan Jiang, is the largest maker of higher-grade instruments in China. Most of the time they are labeled with various trade names from whatever wholesaler they come from. Often they are sold “in the white” and completed and varnished by violin shops or other wholesalers. I have been selling these instruments since 1994, and they feature the nicest wood and the cleanest workmanship of any instruments in their price range. The pictured instrument is from 2002. I thought it was time to improve on the fuzzy photo from 10 years ago (shot with a point and shoot camera), and I especially wanted to show the Italian style arching. Fortunately I had a previously sold violin in for adjustment. Only a few dings in a 14 year old instrument isn’t bad. Violins from 1/8 to 4/4, violas, and cellos
LI TIAN $650.00 TO $2750.00
The look of these instruments is stunning, but the revelation is the sound they produce. They are from a small workshop in Beijing with whom I have been associated for many years, and with every one of those years they have improved in overall quality. The more expensive instruments are tastefully antiqued. Violins, violas, and cellos
ZHONG LONG SHENG $1000.00 and up
I first became acquainted with the work of Zhong Long Sheng when I bought instruments from Chicago String Instruments about 14 years ago. The instruments, bearing many Italianate trade names, were made in the shop of Mr. Sheng. The best instruments were brought to the US “in the white” and varnished here. I bought many of these better instruments, opened them up, graduated the plates, replaced the bass bars, and turned them into great advanced student instruments. That was then. Now Chicago String Instruments is no more, and the company that bought them changed manufacturers for their Italianate trade named instruments. Mr. Sheng sold his instruments through another company, but since they never visited my shop, I never got to see an up-to-date product. Now he has changed suppliers again and the instruments are easily available. There are many different grades; the one pictured to the right is the lowest grade. Very solid craftsmanship at all levels. The wood gets better looking as the price increases. Violins, violas, and cellos
XUEPING HU $950.00 to $2500.00
Often marketed as “Snow” instruments, I prefer to use the master’s real name. All of the instruments feature a characteristic “antiqued” look, especially the highest grades which are distressed to simulate age. But it’s the sound that is most impressive. Also, European tops are used in the better models—the best of both worlds. Violins, violas, and cellos
These instruments are made in a small workshop in Romania. All-European wood and workmanship insure a quality product whose tone will mature with vigorous playing. The instruments that are varnished in Romania are tastefully shaded but not antiqued. The higher level instruments are varnished in China and are fully antiqued. The wood is thoroughly aged to produce a stable instrument that will serve many generations. Violins and cellos
A small workshop in Beijing, they produce some of the best bargains obtainable. Strad and Guarneri models are available in violins. Their violas are wide models capable of the deep, dark viola sound that usually can’t be obtained for a mere $1800.00. The cellos remind me of French instruments of the early twentieth century. Violins, violas, and cellos
Callegari instruments are made in three grades. Camillo Callegari’s are made entirely of the highest grade of Chinese wood. The Salvatore Callegari’s feature European spruce tops, while the Ettore Callegari’s go all the way with every part made with European wood. Why do I carry (mostly) the cheapest models? It’s because the sound is not that much different from one model to the next. It’s a testament to the quality of the Chinese wood, and a further testament to the expertise of the makers. It’s also because I cherry-pick only the best of the bunch when the rep visits my shop. Most of the violins are Guarneri models, as pictured to the right, providing a rounder and more narrow upper bout for more comfortable playing. The maple is very highly flamed, and the varnish is tastefully antiqued. Great looks and sound for the money.
Another small workshop producing very high quality instruments. They make a few grades, the best of which are all European wood. The varnish is tastefully antiqued, without any real distressing. But the sound is what these instruments are all about. European wood, Chinese workmanship. Unfortunately for all of us, Ming-Jiang died recently from cancer at the young age of 56. Hopefully his heirs will continue his legacy of fine instruments. Violins and violas
VASILE GLIGA $800.00 to$1500.00
Gliga has many workshops in Romania. His best price-point instruments are in the middle—from $800 to $1500. In this area the wood is very high quality with lots of flame, and I prefer the “antique” varnish, although it’s really not “antiqued.” In our shop we reshape the necks in addition to our regular setup. Once these violins have been exercised, they produce a powerful sound. Violins only
German made instruments with great looking wood and fine sound, bringing back the Markneukirchen tradition from between the wars. I’m especially impressed with the cellos. Antique varnish, high quality wood, completely manufactured and varnished in Germany. Violins and cellos
SAMUEL SHEN $800.00 to $2500.00
Some of the most appealing violins and violas come from the shop of Sam Shen, one of the few establishments in Shanghai making high quality instruments. The varnish is tastefully shaded, revealing beautifully flamed maple underneath. Some interesting small viola models. Violins, violas, and cellos
All of the instrument workshops represented are the cream of the crop. Most of them send their representatives to my shop so we can hand pick the instruments and bows. The instruments they make are based on old Italian models. The violins are not oversize, as many student instruments were only a few decades ago. Another advantage to these new instruments is that the necks are attached at the proper angle—a problem that often has to be corrected on older instruments. They use first class materials for the fingerboards and pegs, and, for the most part, the instruments are made entirely by hand.
The wood is the best available for this price range. The spruce tops are even-grained, and most of them feature highly flamed maple backs and ribs. However, let’s not confuse the amount of flame in the maple with anything but looks. There are great sounding old Italian violins made of wood more reminiscent of a stair tread than of fine instrument wood. Amati and Stradivari only used highly flamed wood when they developed a clientele that could afford and demand it. Flame has nothing to do with sound—it has only to do with trying to emulate the look of the great Cremonese masterpieces.
Where the wood comes from, what its stiffness and density is, and how it is dried is far more important than how it looks. European wood is stiffer and denser than most Chinese wood (of course, sometimes it’s too dense and too heavy, but that’s another story). Entry level instruments made with softer Chinese wood often have a quick response and a dark tone with less brilliance as you go up the e string, however they are very easy to play and require no “break in” time. Under the ear they have a “big” sound. They are perfect for the beginner, as you don’t have to work very hard to get the sound out, but they can’t be “pushed.” Entry-level European instruments are often made with the heavy, dense wood that is inappropriate for any instrument, and the sound suffers as a result.
Good European wood (and the best Chinese wood) features a balance of stiffness vs. density that produces an instrument with more potential. Even when new, these instruments offer far more tonal color and power than their entry-level cousins made with lesser wood; and with months of vigorous playing the instrument comes alive and sounds far better than when first set up.
Also, let’s not forget about varnish. There is no secret here—hand applied varnish that has been tastefully shaded or antiqued greatly enhances the look of a student instrument. At this level lacquer and synthetics are abandoned and the spray gun is usually put aside for the brush—a longer process, but more pleasing in the end both for looks and for sound.
All of the instruments described are personally selected by me and set up in this shop to meet my exacting standards